Joe infurnari.com
Mar 28

I’m catching up on posting about some recent press for the Process.
Tyler Chin-Tanner over at Broken Frontier has written about the Process in his column, Delusions of Grandeur. Here’s the article in its entirety.

Thanks, Tyler!

Studying the Process

As I said last column, many of the webcomics that exist at this time are actually print comics that are using the internet as an alternative means of publication. One of the biggest reasons for this is because it is no longer viable to publish a successful limited series that builds to a graphic novel. Too much of the target audience will wait for the eventual graphic novel. Thus the development of the webcomic to graphic novel publishing model.

One great example of this model is Joe Infurnari’s webcomic, the Process. This concept was created as a graphic novel, but chapters and pages of it are posted as a webcomic. What really appeals to me about this project is that while the concept is intended to be a graphic novel, there is a reason for it being a webcomic other than to just post pages as he completes them.

I asked Joe if he would help explain the Process:30.jpg

JI: If my ideas and work are going to be presented in a medium, namely the web, it should make use of the things inherent to that medium (interactivity, updates as-you-go, and endless editability)…. I had the idea that I would try and involve people in its creation and thereby benefit from testing it in front of its audience. Readers are participating in an art project that is about creating a graphic novel. They should be encouraged to comment because that’s how things will get better. I’m showing them a lot of what goes into its making so that they can see the creative process at work, gain a better appreciation for it and participate in it.

So in other words the Process is a webcomic that invites the reader to view the process of creating a graphic novel all while reading a story that involves the creator as a character interacting with the story he is in the process of creating while the audience is in the process of reading it. Have I said “the process” enough yet?

I’ll let Joe continue:

JI: That’s something unique to this blog and web medium where visitors can drop in and out of this digital diary of a comic’s conception. They get insights into how I do things and what I am thinking as I create these pages. Ideally, readers would also participate as well by telling me what works and what doesn’t. Out of all of this, there will be a comic that’s been market tested with a lot of the kinks worked out prior to publishing.

The strength of Joe’s webcomic lies in the fact that it is a very engaging look into the creation of a graphic novel and how he works as a creator. The design of the website makes the story particularly interesting to read, and it doesn’t hurt that the art is fantastic either. Its weakness, though, is that for such a long and involved story, it comes out so infrequently. This contradicts one of the cardinal rules of successful webcomics.

As Joe puts it:

JI: Regular updates are important. Visitors to the Process know that I am lousy at this but it is an important aspect to keeping readers engaged. If they can count on your comic being up every week or day, then you’ll have a devoted following.

As a result:

JI: The economics of this has been a hard nut for me to crack and I still haven’t been able to make any significant money from it… A webcomic, a medium that most people experience for nothing, is harder to generate an income from in my experience. Until it has a huge following, a webcomic is hard to get paid to create. I sometimes feel that frequent visitors to these free content sites who enjoy what they are getting should donate or contribute in some fashion. If I only got 50¢ per unique visitor a day, I would have a nice little perk every day! Contributing in whatever way possible is a way to ensure that you get your fix and it’s just plain the right thing to do.

theprocess02.jpg theprocess11.jpg

For what it’s worth, I think Joe should take heart in the fact that the purpose of his website is to promote a graphic novel. He’s getting exposure and reviews that usually come at a cost. While he may not be making any money, he’s saving on costs that would normally go into promotion and printing. Plus, the idea is that the eventual graphic novel will sell well based on the quality of his webcomic. It would certainly be nice for webcomics to bring in money from donations, but realistically, you can’t really expect that.

The only way I know of that webcomics generally make money is by having such a regular following visiting for consistent content that advertising generates a substantial revenue. In my opinion, a creator is better off choosing either to use a webcomic to promote their graphic novel or to use their content to promote a regular webcomic.

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Tyler Chin-Tanner started his own publishing company, A Wave Blue World, and writes and draws layouts for Adrenaline, its flagship series.

© 2008 Tyler Chin-Tanner. All rights reserved.
Email:
tyler@awaveblueworld.com
www.awaveblueworld.com

Mar 28

Chris Beckett has been kind enough to write this amazing piece about the Process for his column, For Your Consideration, on the Pulse. Here’s the article in its entirety with the rest coming after the break:

Thanks a ton, Chris!

theprocess06.jpgFor Your Consideration:
Joe Infurnari’s The Process

By Chris Beckett

Joe Infurnari is the artist for Oni’s Borrowed Time, written by Neal Shaffer. With that book, he showed that he is an accomplished comic artist. But online, Infurnari is experimenting with style, pushing himself to evolve as an artist while pushing the boundaries of comic storytelling. His webcomic, The Process, is an entertaining experiment that is well worth checking out.

The 411:
The Process webcomic
Story & Art by Joe Infurnari
Color, b/w, collage
http://theprocesscomic.com

What It Is (with apologies to Dave the Thune):

At Joe Infurnari’s website (artist of Borrowed Time and Wasteland #14), the artist is experimenting with his art – with style, with storytelling, and with the process. The tale begins with a mad stampede of strange creatures barreling over the rolling dunes trying to stay ahead of a great storm that pushes them forward. Witnessing this mad dash is a scrit, a small land crustacean similar to a small crab that is able to curl into a ball and shield itself with its hard outer shell. Unlucky enough to be in the path of these wild animals, the scrit rolls itself up and manages to avoid being crushed. But the storm is close behind and the tiny animal moves off searching for shelter.

Hiding under an overarching leaf of a tall plant, the scrit does not avoid being drenched as the upper leaves of this same plant quickly fill with raindrops, the rush of water cascading down from one upturned leaf to another before reaching the one just above the scrit’s head, sending the crustacean sluicing along the now moist ground. Realizing the flora of this strange place will not provide the shelter it needs, the scrit scuttles off to a cave. There it is indeed dry and warm, but as the scrit moves further into the darkness it discovers another inhabitant residing within the cave. A young boy has already sought shelter there, and when the boy sees the crustacean he smashes the tiny animal with a rock, killing it instantly and bringing chapter one to a close.

Continue reading »

Mar 14

I’m planing on offering a draw for email subscribers and I wanted to find out what readers would like to see most as the prize. That’s where this poll comes in. Head on over there now and vote for what you would like to see offered as a giveaway. There’s unused art, original color sketches, cardboard constructions, T-shirts and books all available for your vote in what you would like to win! Once I’ve gotten enough votes, I’ll announce the winning prize and soon thereafter I’ll start the drawing. Any email subscriber will be automatically entered to win. Isn’t this exciting! Okay, git on over there and vote!

While you’re there, you can also see some of the new design tweaks I’ve applied to the Process blog. There’s a new banner highlighting the current page, the addition of sticky posts and announcements and subtle post header coloring. I can barely contain myself!

Mar 01

Page 32 is finally available over at the Process. This one’s been a long time in the making and that’s because I had to create these sculptures, photograph them, manipulate them etc into what you see below. I’ve also had a few obstacles to overcome as well. I hope that over the next few weeks these things will clear up and I’ll be rolling on all cylinders again. Thanks for stopping by and reading the Process!